Poklong anading biography
Poklong Anading
Filipino artist
Poklong Anading (born August 1, 1975, Manila, Philippines) is a contemporary artist. He works in various mediums including photography, video, painting, sculpture and installation. He is the recipient of the 2006 Ateneo Studio Residency Grant in Australia, the 2006 Cultural Center of the Philippines 13 Artists Award, and 2006 and 2008 Ateneo Art Awards. His previous residencies include Big Sky Mind, Manila (2003–04), and Common Room, Bandung, Indonesia.
Early life
Poklong Anading was born on August 1, 1975, in Manila, Philippines. He was a student of Roberto Chabet and graduated from the College of Fine Arts, University of Philippines in 1999 with a BFA in painting. He has been recognized for his work on both a national and international level.
Themes
Although he received his formal training in painting, Anading works mainly in photography and video. His work has also extended into process-oriented sculpture and installation in the style of Arte Povera. Through his art, Poklong Anading assumes the role of observer and collector, creating images and objects derived from facts and memories. He also explores and documents the intangible such as light, time, gravity and space.
Anading has also expressed an interest in identity. For his Anonymity series (2004-), the artist takes photographs of individuals whose faces are unidentifiable behind blinding sunlight. His Hit or Miss is a Hit(2015) show exhibited at the 1335 Mabini art gallery in Manila, also included images of anonymous people taking selfies of themselves. The artist has classified identity as a “never-ending” topic that intensifies the more it is discussed. His various attempts at concealing the face—considered the main identifier of an individual—are the result of a desire to create a “clean slate” by removing the limitations of identity.
Poklong Anading's art also focuses on Poklong Anading’s practice utilizes a wide range of media from drawing, painting, video, installation, photography and object-making. Taking a more process-oriented and conceptual approach, his continuing inquiry takes off from issues on self-reflexivity, both of himself and others, and site-specificity in an ongoing discussion about society, time and territory. Born in 1975 Manila, Philippines. He earned a Bachelor of Fine Arts (BFA) in painting from the College of Fine Arts, University of the Philippines (1999). He completed residencies with Big Sky Mind, Manila, Philippines (2003 to 2004), Common Room, Bandung, Indonesia (2008), Bangkok University Gallery, Thailand (2013), Selasar Sunaryo Art Space, Bandung, Indonesia (2013), Philippine Art Residency Program - Alliance Francaise de Manille in Cite Internationale des Arts, Paris, Centre Intermondes, La Rochelle in France (2014) and das weisse haus, Vienna Austria (2018). He had solo exhibitions in Galerie Zimmermann Kratochwill, Graz, Austria (2010 and 2012), Taro Nasu in Japan and Athr Gallery in Jeddah (2016), 1335MABINI in Manila, Philippines (2013, 2015 and 2017). He has been included in notable group exhibitions such as: Gwangju Biennial, South Korea (2002 and 2012), No Country: Contemporary Art for South and Southeast Asia, the first exhibition of the Guggenheim UBS Map Global Art Initiative in New York, Hong Kong and Singapore (2013 to 2014), 5th Asian Art Biennial: Artist Making Movement, National Taiwan Museum of Fine Arts, Taiwan (2015), The Shadow Never Lies, Minsheng Art Museum, Shanghai, Afterwork, Para Site, Hong Kong, China and in the Architecture Biennale for the 15th International Architecture Exhibition, Philippine Pavilion: Muhon: Traces of an Adolescent City at Palazzo Mora, Venice, Italy (2016) and Constellations, Photographs in Dialogue, SFMOMA, California, USA 2021. Anading lives and works in Manila.
Poklong Anading (b. 1975, Manila, Philippines; lives and works in Manila) works with a wide range of mediums and is acclaimed for his pieces that investigate photography and travel. Fascinated with the process of creation and permutation, Anading explores different mediums to engage with a range of sociopolitical and environmental questions. Having begun his career as a painter, he is not driven by an overt agenda, but prefers to let his mind wander, thinking with and through his materials as they undergo their transformations. He frequently uses found objects and discarded materials that lead him to investigate notions of worth and value, and to explore what it means for art to exist inside and beyond capitalist production.
Anading has completed residencies with Big Sky Mind, Manila, Philippines (2003 to 2004), Common Room, Bandung, Indonesia (2008), Bangkok University Gallery, Thailand (2013), Selasar Sunaryo Art Space, Bandung, Indonesia (2013), Philippine Art Residency Program - Alliance Francaise de Manille in Cite Internationale des Arts, Paris, Centre Intermondes, La Rochelle in France (2014) and das weisse haus, Vienna Austria (2018). He had solo exhibitions in Galerie Zimmermann Kratochwill, Graz, Austria (2010 and 2012), Taro Nasu in Japan and Athr Gallery in Jeddah (2016), 1335MABINI in Manila, Philippines (2013, 2015 and 2017). He has been included in notable group exhibitions such as: Gwangju Biennial, South Korea (2002 and 2012), No Country: Contemporary Art for South and Southeast Asia, the first exhibition of the Guggenheim UBS Map Global Art Initiative in New York, Hong Kong and Singapore (2013 to 2014), 5th Asian Art Biennial: Artist Making Movement, National Taiwan Museum of Fine Arts, Taiwan (2015), The Shadow Never Lies, Minsheng Art Museum, Shanghai, Afterwork, Para Site, Hong Kong, China and in the Architecture Biennale for the 15th International Architecture Exhibition, Philippine Pavilion: Muhon: Traces of an Adolescent City at Palazzo Poklong Anading. Profile photo from Widewalls Poklong Anading, 'Artist Profile no. 2', 2014. Image from Culture360 Poklong Anading, 'Anonymity #0011', 2005, photographic print in light box, 56 x 45 x 10 cm. Image from Invaluable Poklong Anading, 'Counter Acts', 2004, chromogenic transparency in lightbox, 228.6 x 121.9 x 12.7 cm. Image from The Guggenheim Poklong Anading, 'drawing straight circle', 2005, cement and urine on wooden board, 152 x 152 cm. Image from Invaluable