Serge henri valcke biography sample

Woman in a twilght garden

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  • Serge-Henri Valcke was born on 30
  • Serge-Henri Valcke. Actor; Camera

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    2. Joost Prinsen

      534 listeners

      Joseph Jules Thomas Prinsen (born June 9, 1942) is a Dutch actor, television presenter, singer and writer. He performed in popular Dutch television…

    3. Mieke Stemerdink

      460 listeners

      Mieke Stemerdink (born 10 December 1963) is a Dutch singer and performer, born in Doetinchem but based in Amsterdam. She became famous in The…

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    5. Marjan Luif

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    6. Johan Ooms

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  • Written and directed by: Dick Maas.

    • The Horror! The Horror!

    Dick Maas presents: a 95 minute argument for just giving up and taking the stairs.

    Spoilers, babes.

    Written and directed by: Dick Maas

    Starring: Huub Stapel, Willeke van Ammelooy, Josine van Dalsum, Ab Abspoel, Serge-Henri Valcke, Paul Gieske, et al

    Running time: 95 minutes

    Original release date: 11 May 1983 (the Netherlands), 4 July 1985 (American release)

    A very hearty welcome back to The Horror! The Horror! , now broadcasting from Goblin Towers 2.0 (aka our new flat). Thank you for sticking with me these past few weeks as me and Mr. THTH got the place up and running (aka unfucking our WiFi as well as unpacking), I truly cannot think of a better way to thank you for it than by gifting you this beautiful nonsense of a film.

    This Stack likes to talk about horror media from a storytelling perspective, and I’d like you for this particular movie to imagine you are watching an extended episode of an 80s police procedural (sans police) you accidentally come across while channel surfing at 2 AM because you cannot sleep, nor can you remember that you have the channel you find this on. It is just there, and this is just there.

    (*not seen: pissing rain)

    After we get an opening credits sequence (as in, the opening credits over some admittedly quite cool footage of an elevator’s mechanics), the film starts quite literally on a dark and stormy night. In a twofer of shots that genuinely made me cackle, we first get the above billboard, advertising a restaurant based at the top of the Kronenstede building, the grimmest, most non-descript office block you can imagine. Then, we get teeth.

    The zoom out from this woman’s mouth as she’s cackling with laughter should clue you in that this movie is here to be extremely unserious. The woman in question (not named, and I can’t for the life of me find a cast list that accurately tells me who the heck we’re looking at apart from the main three cast members so bear with me) is part

  • A quarter-century on from

    • Review: My Dad Is a Sausage

    - With her first feature, Anouk Fortunier delivers a refreshing family comedy with a pop sensibility about the freedom to reinvent oneself

    Savannah Vandendriessche and Johan Heldenbergh in My Dad Is a Sausage

    Anouk Fortunier’s feature debut My Dad Is a Sausage [+see also:
    trailer
    interview: Anouk Fortunier
    film profile], written by famed Flemish screenwriter Jean-Claude Van Rijckeghem (Vincent and the End of the World [+see also:
    trailer
    film profile], Brasserie Romantiek [+see also:
    trailer
    film profile], Oxygen [+see also:
    trailer
    film profile], Moscow Belgium [+see also:
    film review
    trailer
    film profile]) and based on a children’s book by Agnès de Lestrade, follows the adventures of a surprising and enthusiastic father-daughter, looking for their identity and their true place in the world.

    At the dawn of her adolescence, Zoé (Savannah Vandendriessche) stands back and shrewdly observes the comedy that her family appears to be enacting, each wonderfully playing their given parts, knowing the screenplay by heart, never changing one line from their perfect family script. Mum, a successful entrepreneur, is on a work trip, while dad works in a big bank and plays with numbers. Her big sister alternates between violin lessons and school homework, while her big brother… Well, her big brother with survivalist tendencies lives shut up in the cave, but that’s another story. 

    And so when her father (Johan Heldenbergh) quits his banking job on a whim to become an actor, her mother is anything but happy. Zoé is the only one to believe in her father and throws herself into this adventure with him. After all, the young girl has her own affairs to settle regarding her place in the world. She will therefore accompany her father in his quest, finally finding in this adult in full existential crisis a model who dares add some colour to his life by reconnecting wi